Thursday, February 5, 2015

Seventh Son 3D review

Several high quality actors, Jeff Bridges, Julianne Moore, and Djimom Honshou, underutilized in a weakly plotted 3d CGI fest. How many times can we look over the edge of a towering cliff? In Seventh Son, a goodly number of times. Way too many times, actually.

Tom Ward is the seventh son of a seventh son. So when Master Gregory (Bridges) loses his apprentice (Kit Harington, looking so very Jon Snow) in the first scene, he grabs Tom. Tom's mum presses an amulet into his hands, and the action rolls downhill. Tom grows up, falls in love and becomes a Spook like Master Gregory. And lots of witches burn, except the love interest.

Scenery? Check. A lot of outdoors shots to make you think you're still in New Zealand, watching a Peter Jackson film. CGI? Check. Bombastic score? Check. Sets left over from The Last Airbender? Check.

How bad was this movie? So bad I spent a good part of it thinking it was a sequel to Season of the Witch, the Ron Perelman/Nicholas Cage disaster. 

Watch only if you like 3D CGI. A lot.

Thursday, September 26, 2013

SLEEPY HOLLOW review

I saw the debut episode on a plane trip this week.

Crane is re-imagined as an Oxford don turned soldier, then traitor, then spy for General Washington. (Washington did have a strong belief that spies were important in winning the war.) This background allows Crane to play both the role of frontline hunk _and_ team librarian/source of all occult knowledge. Crane has back-up in the occult area from his wife of 250 years ago, who just happens to be a witch, and trapped somewhere by Unamed Evil so that she can drop clues on Ichabod through visions, dreams and mirrors.

Washington Irving's Crane was a comical, credulous local school teacher who loved ghost stories. The name Ichabod makes sense in Puritan New England, but not England itself. And as anyone from Montclair knows, the Crane family was important in this part of New Jersey during that time. Anyway.

So the bucolic town of Sleepy Hollow turns out to host multiple competing occult groups. Three killings in the first episode, two of members fo the sherrif's department. Crane teams up with the remaining Deputy to stop the Apocalypse. No, really, there are high stakes in this show.

It all feels a bit like National Treasure mashed up with Buffy. Crane provides some fish-out-water time travel humor. We can only hope it will be better than The Dome.

Wednesday, September 18, 2013

Cell phone bricked, time for a new one

Customer loyalty to electronic components doesn't really make sense, but it obviously exists. I've had a preference for Motorola since my days programming an Apple II. (I suppose the iPhone 5c would be the Apple LXVI if they had kept that naming scheme.) I was actually upset when Apple dropped Motorola CPUs in favor of Intel - and I didn't even use a Mac at that point.

My Motorola prejudice extended to smartphones, and I was a loyal Droid buyer for the last several years. No more.

My Droid 2 bricked itself yesterday. Somehow, one of the battery pins worked loose, though I have never dropped the phone. It stopped working without being plugged in to the charger, which defeats the purpose  of a mobile phone.

One quick trip to the Verizon store, and I walked out the proud owner of a Samsung Galaxy S4. Quad core 4G Android goodness. In white. Sorry Moto. The Droid line just didn't have it for me any more.

Sunday, September 15, 2013

Forever Tango - Review

Forever Tango is completing its current run on Broadway tonight. The limited engagement brought the show back to New York City for the first time in many years.

This is a must see show. It captures the spirit of Argentine Tango in a wonderful mix of music, dance, song, and spirit. The format of the show is basically an alternation of music only numbers, performed by the small on-stage orchestra, and dances performed in front of and to the music of this orchestra. Much of the music is arrangements of pieces by Astor Piazzolla, one of the great tango composers.

In the current staging, this pattern was punctuated by one song and one comic dance number in each act. There are also a number of more balletic performances that involve over the head lifts and other athleticism by both the male and female performers.

While impressive, these modern riffs on Argentine Tango only showed how powerful the real thing can be. Marcela Duran, in particular, was spectacular. It was a pleasure to see her after the show interacting with fans outside the stage door of the Walter Kerr Theater on 48th Street.

Sit where you can see all the footwork. Tango has some of the most explosive and flashing footwork of any dance.

The on-stage orchestra was unnecessarily miked. The reult was that the clicking keys of the bandoneon were as loud as the music.

Overall, a great experience. See it if you can!

Wednesday, September 11, 2013

Shul for Scandal

Let's say you're in synagogue, praying on the holiest day of the year. You learn that someone you think is a big sinner is in the synagogue also. Do you:

  1. Rejoice that this person is praying and confronting their life story?
  2. Heckle loudly to interrupt everyone's prayers and force them to leave?

http://nypost.com/2013/09/09/sex-abuse-victim-shamed-during-synagogue-prayers/

This person's actions show they have no clue why synagogues exist.

And where was the rabbi while this was taking place? That the jerks act out is sadly expected in our wonderful Jewish Taliban societies. Where is the rabbi that is supposed to keep order and provide a role model? Sitting on his hands.

In the story of Kamza and Bar Kamza, that the Rabbis did nothing is the true cause for the series of events leading up to the destruction of the Temple. Maybe they don't learn Kamza and Bar Kamza in Satmar on Tisha B'Av.

Jewish Taliban is sadly and nauseatingly appropriate for Satmar and its handling of the Nechemya Weberman scandal, and subsequent events.


Monday, July 29, 2013

RIPD, reviewed by David vun Kannon

I saw RIPD last night because Wolverine had sold out by the time I got to the theater. There, I could probably stop the review with that sentence, because it completely encapsulates what a second rate movie RIPD is.

RIPD is this summer's attempt to recreate Men In Black. And Ghostbusters. And Hellboy. And even a bit of Constantine. Can you say 'derivative'? Watching any of those again would be time better spent than in the theater with this movie.

The big upside is for players of "6 Degrees of Kevin Bacon" because, yes, Kevin Bacon is in this movie. Yes my friends, _that_ is the big upside. Other upsides - a Boston based film without Ben Affleck in it. I know, I'm stretching.

Tuesday, July 23, 2013

I'm a robot with a laser in my head, and I'm here to help you

Boston Dynamics, maker of the Big Dog robot mule for the US Army, unveiled their latest creation - Atlas.


Atlas shows why we build humaniform robots - we've already built a world for ourselves, and robots have to fit in. Atlas will be able to open a door, drive a car, and handle a fire hose, which is good, because it is being billed as replacing humans in high hazard areas such as nuclear power plant disasters.

If DARPA is funding Atlas development as a charitable act for the nuclear power industry, they should get on the same page, public relations-wise. I'm pretty sure there won't be any more nuclear accidents, right, industry spokespeople? And to be fair, they only happen once every 20 years, anyway.

And why else would DARPA fund a humaniform robot with a laser in its head?

Saturday, June 22, 2013

St Croix Wildlife


Blanka and I recently visited St Croix. We both took a lot of pictures of the beautiful beach at the resort we were staying at. I'll skip those, and share some pictures of some of the local wildlife. Above are sea urchins in a tidal pool in Davis Bay. The beach was well posted with warnings about avoiding this section, since sea urchin spines really hurt if you step on them!

Sea urchins have large, transparent eggs, which made them an important animal for the study of embryology and development. I was really happy to see them living in their natural habitat.


A Caribbean Brown Pelican sitting on a piece of coral. This bird came to feed over the area near our cabin every morning and evening. It was fun to watch him wheel over the waves, then dive into the surf for a fish. The Brown Pelican recently came off the US Endangered Species List.


A ghost crab digging out its burrow. The crab hides in the burrow for most of the day to avoid the hot sun, but they start to come out towards evening. They are very twitchy, and jump back into their holes whenever they feel threatened. Very amusing to watch them run in the surf, looking for food, then scurry back into hiding.

The resort (and the island in general) had a lot of mongoose. Mongoose were brought to the island to help control the rat population, which was feeding on the sugar cane crop. It didn't work, since the rats were nocturnal and the mongoose weren't! But the mongoose did eat all the snakes on the island, so Indiana Jones can retire to St Croix, worry free.

We took a hike through the rain forest to visit the tidal pools of Annally Bay. See this site for a better explanation of the hike than I could write. Along the path in the rain forest we got to see a bee hive in a tree right next to the path, and an enormous termite 'mound' - also in the trees! On these steep and rocky slopes, with heavy rainfall, there isn't enough soil for the termites to live underground.

We were on St Croix to relax, so there were a few things that I would have liked to do that we skipped. We were staying at Carambola Beach, which is on the northwest of the island. Here, steep hills create a rain forest climate. The eastern end of the island is flatter and more desert-like, with cactus.

The eastern tip of St Croix is Point Udall, which is the easternmost point in the US. It is host to the eastern end of the Very Long Baseline Array radiotelescope. The other end of the VLBA is in Hawa'ii, about 5,000 miles away. I would have loved to visit the telescope, but it didn't seem that they had a visitors center. Phooey.

We also missed a visit to the Salt River mangrove swamp. This was Colombus' second landing spot, in 1493. It looked very cool as we drove by on our way to Christiansted.

St Croix was a beautiful place, and I would love to go back!

Tuesday, May 21, 2013

Untouched by Morning, Poetry review

Untouched by Morning is a second chapbook of poetry by Francis Klein. His first, Podebrady, is also available from Amazon, and I gave it high marks.

The poems in this book have a consistent theme, looking at the lives of those who have completed life. The mind immediately leaps to a comparison with Spoon River Anthology, but these are on the whole more sophisticated thoughts on more thoughtful lives.

I enjoyed these poems exactly because they were insightful, looking at the nexus of life and accomplishment. We are treated, not to superficial reflection, but to the deeper flash of diamond, entering and illuminating.

Recommended.

Thursday, March 28, 2013

Gentleman detectives, some recent reading in mystery fiction

I've recently ploughed through several mystery novels by some of the best known writers, Golden Age and modern, examining the evolution of the gentleman detective.

I started by reading two of Georgette Heyer's books, featuring her detectives Inspectors Hemingway and Hannasyde. I started with Heyer because I enjoyed her mystery The Unfinished Clue, which I reviewed previously on my blog.

Death in the Stocks and No Wind of Blame were both enjoyable, but did not rise above casual consumption reading. Heyer writes characters very well, but the plots are tiresome. As in The Unfinished Clue, there is a stock cast, including a solid, no-nonsense young woman who finds most of the clues and, unexpectedly, love. Both of these novels contain a good bit of farce, which detracts from the solving as it grows into a bigger part of the novel. The plots are pedestrian and the actual murders poorly worked out. It is said that Heyer's husband worked on the plots for her. He was an engineer turned barrister, and engineers and barristers are the male leads.

The detectives, Hemingway and Hannasyde, only appear in the last third of the novels. They are poorly developed and forgettable personalities.

Looking for more substantial fare, I read the first two of Dorothy L. Sayers' novels starring Lord Peter Wimsey. These are a blast, and I thought the first one was really excellent.

Sayers cuts to the chase in modern fashion in the first book, Whose Body? The detective is on the scene almost from the first page. He is a strong, witty, and well drawn character. The second son of a duke, Wimsey is young, rich, and fascinated with old books and detection. His valet, Bunter, is a wonderful foil. Written in the middle 20's, the effects of the World War are still vividly present in this novel.

The second Wimsey, Clouds of Witnesses, is less successful. The plot revolves on too many coincidences. Wimsey is shot in the shoulder and suffers a broken collarbone, which goes unspoken for the rest of the novel. Still, fun to read. I look forward to following the path of Wimsey.

Having tried Wimsey, I went on to sample Ngaio Marsh's Roderick Alleyn. While Alleyn is also the second son of a noble (an earl, now), he is a Scotland Yard working stiff (Detective Inspector) as well. In his first outing, he solves a standard English country home weekend party murder. He also meets his regular foil, Nigel Bathgate, a young journalist. I found Alleyn less engaging than Wimsey, but will give him a second chance.

Jumping forward, the modern author Elizabeth George has also created a noble detective. He is Thomas Lynley, the Eighth Earl of Asherton. No second son, he is the Earl himself. I think there is a certain title inflation going on here. Lynley is also a Scotland yard DI, paired in most of the books with Detective Sargent Barbara Havers. Havers is of lower class origins, and her awareness of class differences with Lynley crops up regularly.

George's books are both mysteries and soap operas. Through the first four, there is as much emphasis on the personal life of the detective and his friends as there is on the case. This is just a tad wearisome, but I admit I am a sucker for this kind of thing. Each Lynley book has one main and several side murders. Written in the '80's, it is funny to watch the author grapple with rapidly changing technology. Computers are often referred to as 'word processors', as if this were a distinct appliance, for example.

The fourth Lynley book attempts to fill in some of his backstory, at the cost of some tortuous continuity issues. Too much of the book is taken up by the soap opera aspect of the storytelling.

As much as I am enjoying George, Lord Peter Wimsey is by far my favorite character. While he is decidedly eccentric, he is also the most human of these detectives, and the best drawn. I suppose this is saying that Sayers is the best author, as well.

The classic SF detectives are Elijah Bailey and R Daneel Olivaaw. I think the stories by Isaac Asimov featuring this pair, a New York detective and his robot sidekick, are my baseline for all other detectives, even Holmes and Watson. This is just my personal history at work, since I read Asimov earlier than any other detective fiction.


Friday, November 2, 2012

WAMP Step 3: Install MySQL

In the previous installments of this series (here and here), we set up and configured the Apache web server and the PHP scripting engine. Now we will add the database server, MySQL.

SQL databases implement the powerful relational database paradigm, a way of thinking about data that is based in the mathematics of set theory. This makes them (in theory) more powerful and safer than other kinds of databases that preceded them. While relational databases started life on mainframes, MySQL is an example of how the concept can be adapted to desktops. After all, your desktop is probably a more powerful computer than the 'big iron' mainframe of the 1960's!

Installing MySQL


MySQL started as the project of an independent company, which was subsequently acquired by Oracle. A free and open version is still available, called the "community" server.

The MySQL download for the Community Server is at http://www.mysql.com/downloads/mysql/. If you just got http://www.mysql.com/downloads/, you'll be offered a Windows installer that includes a whole bunch of additional software and connectors, over 200 MB of stuff! We don't need all of that to test out WordPress, which is the objective of this exercise. Just grab the installer for the Community Server.

Global Warming: a brief background

I'm writing this for an audience that isn't short on science or Google chops. I'll try to supply links where useful.

We're here to discuss global warming, and several levels of skepticism expressed about global warming.

  • What is global warming (GW), and does it really exist?
  • Is global warming anthropogenic (AGW)? That is to say - are human activities principally responsible for global warming?
  • Is global warming catastrophic (CAGW)? Are the changes severe, irreversible and creating misery for humans and other life on the planet?
A basic issue of terminology - the problem we'll be discussing is one of heat, and heat is measured by temperature. However, there is not a one-to-one correspondence between the two ideas.

Thursday, November 1, 2012

Podebrady, Poetry by Francis Klein, reviewed by Davd vun Kannon

Podebrady is a slim chapbook of poetry. The poems inside are, at times, a painfully intimate window into the author's heart. But they are also full of wisdom, beautiful words and images, and the painful intimacy is mostly the result of recognizing ourselves waiting in the mirror of these words.

I especially like the The Apple Press, and the last lines of Morning Laundry:


We are replaced by what we love.
We leave the green fields free and fallow. 

Klein is a published poet and an architect with a practice in Montclair, NJ. Podebrady is avaible from Amazon and Finishing Line Press.

Recommended.

Sunday, October 28, 2012

Nice Work If You Can Get It - Review

Nice Work If You Can Get It is a frothy bit of Broadway magic. The show features songs by George Gershwin, and a plot loosely (very loosely) based on his 1926 musical, Oh, Kay. Other material from the film Delicious, including the immortal love song Blah, Blah, Blah.

The show stars Matthew Broderick, Kellie O'hara and a great cast. I saw a matinee last Saturday with my wife, my son Daniel, and a friend of his. We all laughed and clapped up a storm.

The thin plot involves Broderick as Jimmy Winter, a dissolute young rich boy who prefers chorus girls to nice girls. But he's marrying a nice girl to secure his inheritance. Until he meets a bootlegging dame, Billie Bendix. Hilarity ensues.

Apres theater dinner at Barbetta was excellent.

Thursday, October 18, 2012

WAMP Step 2: Install PHP

As detailed in our previous post, we are building towards a WordPress installation on a desktop PC. In step 1, we successfully installed and tested the Apache web server.

As mentioned last time, some documents that are served by the web server to your web browser are static documents - just files sitting on the hard drive. Other documents are actually queries into a database, where the data has been dressed up and presented as a web page. Still other documents are mostly static, but with some customization by a script running on the server.

To support WordPress, we are going to need both a database and a script engine. A very popular scripting language for web pages is PHP, and that is what WordPress requires. The rest of this post will walk through installing PHP.


Wednesday, October 17, 2012

WAMP step 1: the Apache httpd server

Our goal in this process is to set up WordPress to serve the test content of a website and blog. Therefore the very first thing we are going to need is a web server.

I should say at the beginning that you don't need a web server to test basic web pages, you can write HTML files with any text editor, and then point your web browser at the file. You can teach yourself a lot of HTML and client-side JavaScript programming in this way. I think it is better to learn the fundamentals of how web pages work by typing it out for yourself instead of starting with a web development environment - you really understand what is going on.

Web servers deliver content to browsers. This content (web pages, music, images, etc.) is either a file on your machine's hard drive, or data stored in a database (on the hard drive). If it is data from the database, then a program (a script) must be run first to turn it into a document that is served out by the web server.

So even before we set up our Apache web server, we need to set up some space on our hard drive where this content will live. Importantly, we want this space to be independent of the Apache server file structure, so that we can back it up separately, and update Apache if necessary without moving our content. We could even change web servers entirely and our content would still be in the same place.

Setting Up WordPress on a Desktop

My wife is setting up her business and wants to have a website with blog, etc. Great! She'll be getting her domain name and contracting with a web hosting company - we haven't decided which at the moment.

For the blog support, I'm going to test WordPress, since it is very popular. Being the geek that I am, this means setting up WordPress on our home desktop machine.

WordPress (WP) runs on top of several other popular Web tools. Apache is a free web server, PHP is a free scripting engine, and MySQL is a free database. If these tools were running together on a machine using the Linux operating system the whole stack would go by the acronym LAMP. Since I'm using a Windows PC, it will be a WAMP stack for me.

While there are products that claim to install WP and all of these prerequisite pieces of software, I'm going to do it myself and write series of blog posts about the process.

Wish me luck!

ps - The process I will follow is based on Jessie Forrest's blog. Thank you Jessie for putting so much in one place! My posts will include a little background info and changes to the process Jessie posted a few years ago, based on the problems I encountered and how I solved them.

Friday, October 5, 2012

How can a virus see?

Proteorhodopsin genes in giant viruses

This is teh awesome! Rhodopsin is a key protein used in the eye, the first step in capturing light and turning it into sensory information. It can be found even in single celled creatures that swim towards or away from light as a feeding signal. Here, the virus is modifying the behavior of the infected cell with its own rhodopsin gene.

There are many examples of parasites modifying the behavior of their host. A creepy example (aren't all parasites creepy?) is the fungus that makes zombie ants leave their nest and climb up where they will get eaten, which helps the fungus spread.

So how do these giant viruses see with their rhodopsin gene? By making their host see for them. Giant viruses are very different from very small viruses, like the famous Ebola virus. Ebola is less than 20,000 nucleotides long (single stranded RNA) and makes only eight proteins, according to Wikipedia. In contrast, mimivirus has a genome of almost 1.2 million base pairs of DNA. While Ebola just replicates as fast as possible before destroying the host cell, giant viruses are more long lived parasites.

Thursday, October 4, 2012

Evolution: A view from the 21st Century by James A. Shapiro, reviewed by David vun Kannon

In this slim book, eminent bacteriologist James Shapiro attempts to communicate his view of the most important drivers of evolution for a non-specialist readership. The material is dense, mostly because the text does not rise much above an outline of all discovered processes of genetic variation, no matter how obscure.

Shapiro succeeds in conveying the idea that variations arising from genetic change other than uniformly distributed single nucleotide changes are the most important to understanding the diversity of life today. However, his other agendas, such as displacing Crick's Central Dogma of Biology, are not successful.

Let's deal with some of the positives of the book first.

Shapiro is writing for a wide audience, and does not shy away from addressing some issues related to the "Intelligent Design" controversy. Some in the ID community initially took Shapiro to be their friend, in the "enemy of my enemy" sense. However, Shapiro takes the age of the planet and the evolution of life as ground facts.

The book makes extensive use of online appendices and additional reference material. I read the book on the Nook e-reader from Barnes & Noble, and opening the book using the PC version of the Nook reader application made these materials easy to access. Much of the online reference material is linked directly to Pubmed. Online additional readings link mostly to articles from Scientific American - not the primary literature, but an accessible source for the expected audience. These articles span 60 years of publication and many are of historical interest only.

The book is very complete in its coverage of genomic change processes. And while Shapiro's main point is to focus on sources of variation other than point mutation, when it comes to discuss mutation, the book includes intriguing sources such as viruses (in which mutation can happen at much higher frequencies).

Most readers will probably be quite surprised by the importance of genomic processes other than mutation in shaping the course of evolution. Even if you've been following the developments as an interested non-professional, as I have, the variety of processes discussed is sure to teach you something new.

One insight I got was that the machinery that is used to guide protein production inevitably interacts with the machinery of cell duplication (in single celled organisms) and germ line continuation in metazoa. I failed to see previously how often the genome is opened up and read, and how that necessary process creates the chances for things to break and be repaired differently.

However, it must also be said that the book is far from perfect. Indeed, there are many irritations that spoil the enjoyment of learning.

Shapiro seems to feel that it is his job to carry forward the mantle of "unorthodox biologist" worn by Lynn Margulis and Barbara McClintock, among others. He takes several shots at "evolutionists" for missing the importance of jumping genes and symbiosis, while focusing on the population genetics of single random changes.

With all due credit to McClintock and Margulis, Shapiro's rhetorical stance is unhelpful. He does play into the hands of those that would willfully misrepresent his position by using loaded terms such as Darwinism and evolutionist, without defining them and apparently without concern with how these terms have been used in the popular press. If Shapiro means "evolutionary biologist" when he says evolutionist, he should use the less charged term.

Shapiro repeatedly uses a "microprocessor" metaphor that is painfully inappropriate. A computer CPU is a piece of hardware that can execute any series of instructions stored in memory, given a link to the first address of where to fetch the data. The information of the genome is the data, not the hardware that reads or  acts on the data. The closest thing in the cell to a CPU is the set of molecules that read, transcribe and translate, DNA into protein - the ribosome.

There are many ribosomes working in parallel in the cell, one of several failures of the analogy. As a system, the protein production and genetic machinery are more like a "production system" - a set of if-then rules that work in parallel. This is software, not hardware, but it fits better.

Scientists frequently stretch to find an analogy which will work for a lay reader, to help the reader understand their work. If that is what Shapiro was trying to do, it doesn't work. If he actually thinks the genome instantiated in a cell is a microcircuit, he is sadly mistaken about microelectronics.

Few, if any, people would call a microprocessor "aware", "intelligent", or capable of cognition, yet this book does use such aggressively telic language with respect to the cell and the genome. However, we should only be willing to talk about "cell cognition" if we are also willing to talk about "thermostat cognition". The feedback loops elaborated in the cell are only marginally more complex than your friendly household appliance.

Darwin comes in for some criticism that seems unnecessary, sort of like criticising Newton for not discussing relativity. Yes, Darwin's uniformitarianism was/is a simplification of what we know today, and did reflect philosophical debates of his time. So what? Does this need to be criticised or simply acknowledged?

Repeatedly when dismissing the random mutation of single nucleotides, Shapiro seems to confuse random with 'uniformly distributed' - or read that confusion onto others. We know that SNPs (single nucleotide polymorphisms) are not randomly distributed. They are more likely in some parts of the DNA string than in others. However, they are random, in the sense that we don't know in advance where a change will take place, even if we know they take place at different frequencies. As an analogy, we know that a sample of a radioactive element has a half-life, but we don't know which atom will decay next.

Shapiro seems unconcerned with the Darwinian distinction between selection and sources of variation, giving all the credit to the multiple sources of variation, and little or none to the various forms of selection that can act on an organism. There is also no discussion of the "evolution of evolvability" as a framework for understanding the many mechanisms that are cataloged in the book.

A weakness in the writing is to describe the genetic machinery as "indescribably complex" before launching into a description of it! Phrases like 'indescribably complex' are just more fodder for quote mining by creationists. Similarly, Shapiro's overall anti-reductionist stance obscures the fact that all of the data and research are based on a reductionist paradigm - the genetic machinery of the cell is entirely the arrangement of atoms and the forces acting upon them, as is everything else in the cell. There is no vital elixir or special sauce that defies reduction to these terms.

While referring to it several times, Shapiro never successfully attacks the Central Dogma of Biology, that information flows in the direction of DNA to RNA to protein, but not in reverse. There are ample examples given of proteins attaching to and regulating the genome, but those proteins are always created by the genome.

Relevance to the ID debate

The book does mention Intelligent Design. However, it also treats evolution as a fact. Natural genetic engineering, as Shapiro calls it, is the source of variation used by evolution. These large scale additions and rearrangements are the driver of metazoan evolution - not new sequences.

It has been the mistake of ID supporters to try to find an ally in Shapiro. Obviously, they did not read the whole book, or if they did their memory is quite selective as to its contents.

It should be mentioned that Shapiro published two papers with controversial ID figure Dr. Richard von Sternberg in 2005. Sternberg is thanked in the acknowledgements.

Shapiro also indulges in some 'bignum' argumentation. This is the sort of handwaving probability calculation that concludes that "there is not enough time" for base-by-base change to create the evolutionary results we see. This kind of reasoning has often been proved wrong, usually by pointing out that sexual reproduction allows many changes to be selected in parallel throughout a population and combined, and high rates of reproduction and HGT (horizontal gene transfer) accomplishing the same thing in bacteria.

Indeed, Shapiro's own discussion of viruses as sources of variation for other life does not examine the sources of variation in viruses - uncorrected random mutation.

The telic language, anti-"Darwinism", and "gee, its complicated" attitude are all ID friendly, but in the end Shapiro has a clear vision of who the Intelligent Designer is, and it is the cell itself.

Relation to the GA software paradigm

Much of conventional Genetic Algorithm software is explicitly point mutation based. Mutation and crossover are often the only operators used, and usually mutation is uniform along the genome. This is the strawman view of genetics that Shapiro criticizes most sharply.

I think the book can be read as a set of suggestions for improving our GA algorithm design if we want to achieve more than numerical optimization with GA. Here are some taking off points that I see:


  • exon/intron distinctions, and redundant representations
  • germ/soma distinctions
  • both of the above presuppose a more robust genotype/phenotype distinction
  • development of that phenotype aka evo-devo GAs
  • fitness testing at multiple points during a phenotype's lifetime
  • gene regulatory networks - genetic operators for regulation of the genome


In conclusion, a book well worth reading and thinking about, even with the annoyances and idiosyncrasies of the author.

Monday, October 1, 2012

Freestyles!

I wrote previously that my wife and I were attending the Arthur Murray "Freestyles" event that was held yesterday, so this post is report on that event.

Wow! It has a lot of fun, a whole day of dancing and socializing with our friends from the Arthur Murray dance studio in Montclair. At a Freestyles event, several Arthur Murray studios get together to give students a venue to perform for a judge, in order to receive impartial feedback. It is not a competitive event, and the emphasis for beginning students (like us) is on performing the syllabus figures for your level, either without additional choreography (closed) or with (open).

Yesterday's Freestyles was held at the Bridgewater Marriott, a centrally located venue for the Arthur Murray studios of Montclair, Kenilworth, Whitehouse Station, and Princeton. The event was well organized. The dancing was by 'heats' of several couples at once on the floor, all dancing the same dance, though each couple was dancing their own choice of steps. Each heat also had a variety of skill levels, and while there were no collisions it was clearly the responsibility of the better dancers and instructors to avoid the less skilled.

Blanka and I had chosen to dance four dances (Rumba, Cha-Cha, Foxtrot, and Tango) both together and with our instructors. As a result, we were each on the floor eight times, across twelve different heats. It was very nice that we were not in the same heat while dancing with our instructors, because we got to enjoy watching each other dance.

The actual dancing was wonderful, without much anxiety about forgetting steps, losing timing, or stepping on the dress of the lady next to me. We had practiced so much leading up to the event that it was almost second nature to dance the dances that we had chosen, and we did dance them 'freestyle', without repeating a set sequence.

As the day progressed, it was obvious that we had taken a very cautious approach to participating in the event. Many students danced multiple heats of the same dance, open and closed, for many more than four dances! There were 166 (!!) heats during the day, so we were sitting and cheering our friends on for most of the day. Next time, we'll know to push ourselves to dance more.

The day included lunch, dinner, a pro show by the instructors from each studio, and casual dancing after dinner. We were quite tired by the end of the evening, and I can't imagine where some of the instructors got their energy, dancing heat after heat with their students.

We had a great time.